Wisconsin

What did early Milwaukeeans do to have fun and relax? This book answers that question, covering pop culture from the mid-1800s up to 1950, from the earliest tavern stages hosting traditional German plays and musicals, to the large traveling circus acts that arrived via the railroad, to the beer gardens, nickelodeons, and old grand cinemas that dominated the city's landscape during the first half of the 20th century. In its heyday, Milwaukee had several classic amusement parks with roller coasters, fun houses, water rides, and more. The first movie was shown in Milwaukee in 1896, and by 1920, there were nearly 100 buildings dedicated to motion pictures. And it was two Milwaukee businessmen who discovered the great Charlie Chaplin and also produced the 1915 epic Birth of a Nation.

For baby boomers who grew up in and around Beloit, memories of that era would not be complete without the Pop House. To high school students, this teen nightclub was a weekend music mecca. Friday and Saturday nights were reserved for dancing and listening to live music provided by countless bands and solo acts. Owner George Stankewitz, born and raised in Beloit, became friend, father figure, and even boss to hundreds of area teenagers. From swing to pop to rock, notable acts to take the stage at the Pop House between 1946 and 1973 include such jukebox staples as Bobby Vinton, Johnny Tillotson, and Del Shannon, along with a tidal wave of Beatles-inspired local favorites. Summer softball leagues and championship basketball teams are recalled as well as the annual Turkey Bowl that continues to this day. And who can forget the annual chili festival with the crowning of a chili queen or a menu famous for its specialty sandwiches like the Snead and the Smiley?

Milwaukee's live theater scene is the sum of several exciting parts. For many, Milwaukee live theater means world-class productions done by resident actors at one of the nation's leading regional theaters. For others, it has been defined by the machinations of a respected experimental theater troupe that traveled throughout Europe in the 1980s and was once honored with an Obie Award. There was a time when Milwaukee live theater meant a big top arena where some of the biggest stars of American musical theater frolicked and played for local audiences. Audiences in Milwaukee have enjoyed the classics, new plays, and contemporary hits performed by never-say-die producers who boast personalities larger than the stages their companies play upon. The Milwaukee theater style is not fussy or overblown. It is informed by a thrilling past, buoyant future, unsurpassed community support, and unfailing devotion to solid midwestern work ethics channeled into artistic innovation. Simply put, Milwaukee's live theater scene is the best-kept artistic secret in the United States.

Prior to World War II, there were 90 single-screen movie theaters in Milwaukee. By 1960, that number had been reduced by half. With the arrival of television for the home market, the golden age of the movie theater in Milwaukee was dead. Yet their ghosts continue to haunt the old neighborhoods. Churches, warehouses, stores, nightspots, and other businesses now occupy the former Tivoli, Paris, Roosevelt, and Savoy Buildings. Others are simply vacant hulks, decaying from the inside out. The Elite, Regent, Lincoln, and Warner are but a few of the many silent sentinels from the days when Milwaukee was in love with the movies.