The History Press [New Releases]

Chrissie Hynde, Devo..Rubber City Rebels...The Rubber City's rebel musical roots

Music made in Akron symbolized an attitude more so than a singular sound. Crafted by kids hell-bent on not following their parents into the rubber plants, the music was an intentional antithesis of Top 40 radio. Call it punk or call it new wave, but in a short few years, major labels signed Chrissie Hynde, Devo, the Waitresses, Tin Huey, the Bizarros, the Rubber City Rebels and Rachel Sweet. They had their own bars, the Crypt and the Bank. They had their own label, Clone Records. They even had their own recording space, Bushflow Studios. London's Stiff Records released an Akron compilation album, and suddenly there were Akron Nights in London clubs and CBGB was waiving covers for people with Akron IDs. Author Calvin Rydbom of the Akron Sound Museum remembers that short time when the Rubber City was the place.

Blues legend B.B. King spent his life sharing the music of his soul, which shone relentlessly through hardship and triumph alike.

Born on a cotton plantation in 1925, the man born Riley B. King would grow up to be one of the most influential blues musicians of all time, being crowned The King of the Blues. He never wavered from his vocation, even as he gathered up other musicians in his wake and melded them into the harmony of his animating passion. In this intimate portrait of King, author Diane Williams offers a brief account of the monumental blues man’s life before settling in for a series of interviews with his bandmates and beloved family members, offering readers an invaluable opportunity to feel like they know King too.

A never-before-seen collection of photos and stories about Bob Barry, the iconic celebrity DJ of Milwaukee.

Bob Barry ruled Milwaukee's airwaves in the '60s and '70s. The only time the Beatles performed here, Barry introduced them to the audience, and he was the only local personality who spent time in private with the Fab Four. If a band or musician came to town, he met them with a microphone. Chuck Berry, the Animals, Wings, the Rolling Stones—the list goes on. His popular Bob Barry Calls the World segment entertained thousands with cold calls to famous personalities, including Bob Hope, Sophia Loren, Elton John and Cher. Through it all, Barry maintained a calm and fun-loving demeanor, even when mocked by the WOKY Chicken or nearly eaten by wolves on the air. Packed with never-before-seen photos, this revealing memoir recalls the iconic DJ's many celebrity encounters, his career highlights and setbacks and the hijinks that made Milwaukee radio rock.

Life working along the banks of the Erie Canal is preserved in the songs of America’s rich musical history. Thomas Allen’s “Low Bridge, Everybody Down” has achieved iconic status in the American songbook, but its true story has never been told until now. Erie songs such as “The E-ri-e Is a-Risin’” would transform into “The C&O Is a-Risin’” as the song culture spread among a network of other canals, including the Chesapeake and Ohio and the Pennsylvania Main Line. As motors replaced mules and railroads emerged, the canal song tradition continued on Broadway stages and in folk music recordings. Author Bill Hullfish takes readers on a musical journey along New York’s historic Erie Canal.

In 1895, East Topsham's Charles Ross Taggart set his sights on becoming a traveling musical humorist. His uproarious ventriloquist and musical performances brought rave reviews in his Vermont community. He was soon thrust into the world of the lyceum and Chautauqua circuits, journeying far and wide across North America. His forty-three-year career spanned some of America's most exciting and most difficult times, and his folk performances--especially his beloved Old Country Fiddler--brought smiles to all who experienced them. He was also an innovator in the entertainment industry, recording his music and humor, as well as appearing in one of the first talkie films. Discover the remarkable story of The Man from Vermont who helped Americans forget their troubles when they needed it most with his mimicry, stories and fiddling.

In the early twentieth century, St. Louis was a hotbed for ragtime and blues, both roots of jazz music. In 1914, Jelly Roll Morton brought his music to the area. In 1919, Louis Armstrong came to town to play on the “floating conservatories” that plied the Mississippi. Miles Davis, the most famous of the city’s jazz natives, changed the course of the genre four different times throughout a world-renowned career. The Black Artists Group of the 1970s was one of the first to bring world music practices into jazz. Author Dennis C. Owsley chronicles the ways both local and national St. Louis musicians have contributed to the city and to the world of music.