New Book Releases

Name: West Virginia's Traditional Country Music
Brand: Ivan M. Tribe
SKU: 9781467123112
Price: 18.74 USD
Availability: InStock

We’re always on the hunt for the next great American history book. When we find it, you’ll see about it here, with our new book releases. We release new history books each month in a variety of subjects and series. Browse through all of our newest titles below, and discover your next favorite history book at Arcadia Publishing! [View all New Book Releases]

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West Virginia's Traditional Country Music

$24.99 $18.74 Save 25%

Southern California Surf Music, 1960-1966

$24.99 $18.74 Save 25%

Music in Washington

$24.99 $18.74 Save 25%

Birmingham's Theater and Retail District

$24.99 $18.74 Save 25%

South Carolina Blues

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Theatres of Oakland

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Seattle's Music Venues

$24.99 $18.74 Save 25%

Louisiana's Zydeco

$24.99 $18.74 Save 25%

Movie Theaters of Washington, DC

$23.99 $17.99 Save 25%

Detroit's Downtown Movie Palaces

$24.99 $18.74 Save 25%

Music Makers of the Blue Ridge Plateau

$24.99 $18.74 Save 25%

Historic Movie Houses of Austin

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The Copacabana

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Beloit's Club Pop House

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The Cincinnati Sound

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Theatres of San Francisco

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Kearney's World Theatre

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The Music Hall, Portsmouth

$24.99 $18.74 Save 25%

Spanish Harlem's Musical Legacy

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The Oklahoma Cowboy Band

$24.99 $18.74 Save 25%

Pittsburgh Jazz

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Charleston Jazz

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West Virginia's Traditional Country Music

9781467123112

$24.99 $18.74 Save 25%

West Virginia has been known for a century as a rich repository of traditional country music and musicians. Beginning in the mid-1920s, phonograph recordings and radios brought this music to a wider audience. With the passing of time and the influence of commercialization, this music developed into what became first known as "hillbilly" and then into the more refined "country" because of its long appeal to those of rural background. Although modernization has caused the traditional element to recede considerably, much still remains. Many folk still cling to the older sounds exemplified by the "raw" traditionalists and the neo-traditional bluegrass style that emerged in the 1940s. From the earliest recording artists, such as the Tweedy Brothers and David Miller, who was blind, to contemporary stars like Kathy Mattea and Brad Paisley, West Virginians and others have held their musicians in high esteem.

Southern California Surf Music, 1960-1966

9781467133203

$24.99 $18.74 Save 25%

Dick Dale & the Del-Tones began holding weekend dances at the Rendezvous Ballroom in Balboa, California, in the summer of 1960. Over the next year and a half, Dale developed the sound and style that came to be known as "surf music." The result was the development of more powerful guitar amplifiers, a dramatic increase in the sales of Fender guitars and amplifiers, and a shift from New York to West Coast recording studios. More and more people were drawn to the sport of surfing, which became an important part of teen beach culture at the time. Even landlocked teenagers were captured by the moment, carrying surfboards atop their woodies in Phoenix or bleaching their hair blonde in St. Paul. For hundreds of thousands of kids, though, the attraction was not the connection to surfing; it was the connection to the music pioneered by Dick Dale.

Music in Washington

9780738548180

$24.99 $18.74 Save 25%

For more than 100 years, the Pacific Northwest has been making music history. In this new retrospective, rare photographs evoke the musical memories of days gone by, from the earliest 19th-century brass bands to Roaring Twenties jazz combos, 1940s hillbilly twangers, 1950s rhythm-and-blues singers, and generations of rock 'n' rollers, including the original 1950s rockabillies, 1960s "Louie Louie"-era garage bands and psychedelic acid-rock acts, 1970s punks, and 1980s new-wave artistes and heavy metal headbangers. Readers will discover how a scrappy backwoods region struggled to build the necessary infrastructure to eventually create a viable music industry and an underground scene that would ultimately earn global recognition as the home base of the 1990s grunge movement.

Birmingham's Theater and Retail District

9780738517773

$24.99 $18.74 Save 25%

From the 1890s to the 1970s, the thriving area of Birmingham between Eighteenth and Twenty-first Streets along First, Second, and Third Avenues was the bustling heart of this quickly growing city. Before the age of the shopping mall, the downtown was the center of retail and entertainment in Birmingham. Along these streets, entrepreneurial immigrants built department stores--including Pizitz and Loveman, Joseph, and Loeb--while the marquees of the Alabama, Ritz, and Lyric theaters, among others, shined over the busy downtown sidewalks.

South Carolina Blues

9781467114721

$24.99 $18.74 Save 25%

The history of South Carolina blues is a long, deep--and sometimes painful--story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.

Theatres of Oakland

9780738546810

$24.99 $18.74 Save 25%

Oakland has a rich theatre history, from the amusements of a gas-lit downtown light opera and vaudeville stage in the 1870s to the ornate cinematic escape portals of the Great Depression. Dozens of neighborhood theatres, once the site of family outings and first dates, remain cherished memories in the lives of Oaklanders. The city can still boast three fabulous movie palaces from the golden age of cinema: the incomparable art deco Paramount, which now offers live performances and films; the stately Grand Lake gracing the sinuous shores of Lake Merritt; and the magnificently eccentric Fox Oakland, with its imposing Hindu gods flanking the stage. The Paramount and Grand Lake still stir the heartstrings of patrons with showings preceded by interludes on their mighty Wurlitzer organs.

Seattle's Music Venues

9780738599984

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The varieties of music venues in Seattle have been as vital and vibrant for the people of the Emerald City as the genres that have graced these famous halls. These houses of music have nurtured the entertainment legacy of this region. Each holds a beautiful, haunting, and unique history that has helped shape the Pacific Northwest's musical culture, which, in turn, has helped shape our community. Out of the ashes of the Great Seattle Fire of 1889, the vaudeville age took Seattle by storm. The cultural and community centers harmonized with operas and symphonies. From the 1962 World's Fair to world-famous street musicians, Seattle's Music Venues will take the reader on a pictorial journey through 100 years of images compiled from the photographic collections of the Seattle Public Library, Seattle Municipal Archives, Library of Congress, and the author's personal collection.

Louisiana's Zydeco

9781467110051

$24.99 $18.74 Save 25%

The bayou sings and the trees sway with the untold stories of many unsung heroes, including Louisiana's amazing Zydeco musicians. The music is an extraordinary blend of the accordion, the bass and electric guitars, the drums, the rub or scrub board, and other instruments. It tells stories about finding and losing love, life lessons, and other revelatory events that rise from the skillful hands of musicians playing the diatonic and piano accordions. The diverse population of Louisiana creates a rich culture with Zydeco festivals, Creole foods, and the unique music that fills the air with a foot-stomping beat like no other. Louisiana's Zydeco is a snapshot of some of the many musicians who live and play the homegrown music known as Zydeco.

Movie Theaters of Washington, DC

9781467129480

$23.99 $17.99 Save 25%

Movie Theaters of Washington, DC charts the storied history of motion picture exhibition in the nation's capital. In 1894, entertainment venues were repurposed to show newfangled moving images and continued to do so through the downtown heyday of such 1920s baroque movie palaces as the 3,400-seat Fox. In the late 20th century, shoebox theaters dotted the nearby suburbs. In a landscape that has transformed over the decades, majestic landmarks, such as the Uptown, which opened in 1936, remain and are still going strong, and theaters like the Warner survived the dark days of downtown's commercial decline to be repurposed as thriving stage venues. While certain favorites have fallen to the wrecking ball, the Washington area has seen, along with a rejuvenated downtown, a vibrant movie scene for both mainstream blockbusters and art house fare with the Regal Gallery Place multiplex and more new theaters to come.

Detroit's Downtown Movie Palaces

9780738541020

$24.99 $18.74 Save 25%

The spokelike grid of wide grand avenues radiating out from downtown Detroit allowed for a concentration of theaters initially along Monroe Street near Campus Martius and, after the second decade of the 20th century, clustered around Grand Circus Park, all easily accessible by a vast network of streetcars. In its heyday, Grand Circus Park boasted a dozen palatial movie palaces containing an astonishing total of 26,000 seats. Of these theaters, five remain today, fully restored and operational for live entertainment. Detroit, more so than any other North American city, illustrates how demographic and economic forces dramatically changed the landscape of film exhibition in an urban setting.

Music Makers of the Blue Ridge Plateau

9780738554105

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During the late 1920s, Ralph Peer and the Victor Recording Company visited the city of Bristol to look for new talent. They stumbled upon Jimmie Rodgers and the Carter Family, two future legends of country music; however, other amazing musicians were unable to make the trip to Bristol for the auditions because of work and family obligations. For the locals, music was more than a way to earn fame and fortune; the music was part of the fabric of life in this rural environment. Some individuals did become famous, including the Stoneman Family, who recorded "The Ship That Didn't Return/ The Titanic," and Henry Whitter, who recorded "The Wreck of Old 97," but that was never the focus. The songs they played and created accompanied an entire generation through the Great Depression and World War II and into the vigorous growth of the 1950s and 1960s. All of these musicians influenced the birth, growth, and continued development of the Galax Fiddlers Convention, which is known around the world by old-time mountain music fans.

Historic Movie Houses of Austin

9781467117180

$24.99 $18.74 Save 25%

Motion pictures came to Austin on October 10, 1896, debuting at the Hancock Opera House. Since then, movies have continued to enchant, entertain, and inform the citizens of the capital of Texas. And, the places--the movie houses and theaters--where people saw motion pictures played just as important a role in the moviegoing experience as the movies themselves. As the city's population grew and motion picture technology changed, so too did Austin's movie houses, from the first kinetoscope parlor on Congress Avenue to the city' s first four-plex, the Aquarius 4, in southeast Austin. While most of these places are long gone, some withstood the test of time and are still showing movies or have been repurposed for other uses. Through the rich archival collections of the Austin History Center, Historic Movie Houses of Austin explores the stories of these important historic spaces and of the lives of those who were connected with them.

The Copacabana

9780738549194

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It has been years since New York has seen anything quite like the old Copacabana. The Copa, Manhattan's best-known night club, was also the most popular nightspot in America. From the moment it burst onto the scene in 1940, an aura of glamour and sophistication hovered over the Copa. It was a luminous glow that, over the course of five decades, served this illustrious establishment well, beckoning the people who made it famous-Hollywood stars, sports heroes, foreign dignitaries, and the town's leading families, including the Kennedys, the Roosevelts, and the Du Ponts. The Copa was a showcase for past, present, and future stars, including Joe E. Lewis, Sophie Tucker, Jimmy Durante, Julie Wilson, Tony Orlando, and Wayne Newton. Through vintage photographs and stories from performers, Copa Girls, and other people connected with the Copa's history, The Copacabana chronicles how this landmark institution became an American cultural icon.

Beloit's Club Pop House

9780738552095

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For baby boomers who grew up in and around Beloit, memories of that era would not be complete without the Pop House. To high school students, this teen nightclub was a weekend music mecca. Friday and Saturday nights were reserved for dancing and listening to live music provided by countless bands and solo acts. Owner George Stankewitz, born and raised in Beloit, became friend, father figure, and even boss to hundreds of area teenagers. From swing to pop to rock, notable acts to take the stage at the Pop House between 1946 and 1973 include such jukebox staples as Bobby Vinton, Johnny Tillotson, and Del Shannon, along with a tidal wave of Beatles-inspired local favorites. Summer softball leagues and championship basketball teams are recalled as well as the annual Turkey Bowl that continues to this day. And who can forget the annual chili festival with the crowning of a chili queen or a menu famous for its specialty sandwiches like the Snead and the Smiley?

The Cincinnati Sound

9780738550763

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From 1940 to 1970, Cincinnati overflowed with musical opportunities. Hank Williams recorded his hit "Lovesick Blues." Andy Williams, Rosemary and
Betty Clooney, and Doris Day appeared regularly on WLW Radio, which also broadcast Boone County Jamboree. Then came the network television show
Midwestern Hayride and stardom for Kenny Price. Meanwhile, King and Fraternity Records released hundreds of hits for James Brown, Hank Ballard and the Midnighters, Cowboy Copas, Lonnie Mack, and the Casinos. In the late 1960s, the Lemon Pipers sang "Green Tambourine," and rock bands ruled Coney Island's Moonlite Gardens. It was a wild, incredible ride while it lasted, and it left such an indelible impression that today Cincinnati is remembered as one of America's top music capitals.

Theatres of San Francisco

9780738530208

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You read the sad stories in the papers: another ornate, 1920s, single-screen theatre closes, to be demolished and replaced by a strip mall. That's progress, and in this 20-screen multiplex world, it's happening more and more. Only a handful of the 100 or so neighborhood theatres that once graced these streets are left in San Francisco, but they live on in the photographs featured in this book. The heyday of such venues as the Clay, Noe, Metro, New Mission, Alexandria, Coronet, Fox, Uptown, Coliseum, Surf, El Rey, and Royal was a time when San Franciscans thronged to the movies and vaudeville shows, dressed to the hilt, to see and be seen in majestic art deco palaces. Unfortunately, this era has passed into history despite the dedicated efforts of many neighborhood preservation groups.

Kearney's World Theatre

9780738583259

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The World Theatre in Kearney, Nebraska, opened in 1927 and was welcomed by an excited public. Much more than just a movie house, it soon proved to be a social center, where people of all professions, ages, and income levels would frequently gather, because it was modern and new and there were considered few equally attractive alternatives. Some went because it was a sanctuary or where they earned a living, while others nurtured the seeds of attachments there or sought out temporary distractions such as bits of humor, drama, mystery, or adventure. For still more, it was an important venue for staying informed or even escaping the heat of the day. Slowly over time, the entertainment and economic landscapes in the country changed, affecting The World's profitability as well as others like it.

The Music Hall, Portsmouth

9780738512495

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On Christmas Eve 1876, Portsmouth citizens watched flames reduce their largest meetinghouse and entertainment hall to ashes. During the following year, local families, businessmen, and craftsmen combined their resources to build a new auditorium with state-of-the-art lighting, rigging, staging, and seating-a comfortable venue for public addresses, charity functions, and international entertainment. The Music Hall, Portsmouth, was born.

Twain spoke from her stage, Sousa's brass echoed from her walls, and Edison's films brought her silver screen to life. Enduring war, depression, and multiple threats of destruction, this grand hall today stands as New Hampshire's oldest operating theater. Showcasing the world's finest stage and screen talent, offering artistic education to young and old, and hosting fundraisers and private events, the Music Hall is a testament to the necessity of arts in local culture and the strength of a community's resolve.

Spanish Harlem's Musical Legacy

9780738550060

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Spanish Harlem's musical development thrived between the 1930s and 1980s in New York City. This area was called El Barrio by its inhabitants and Spanish Harlem by all others. It was a neighborhood where musicians from the Caribbean or their descendants organized musical groups, thereby adding to the diaspora that began in Africa and Spain. The music now called salsa had its roots in Cuba, Puerto Rico, and Santo Domingo, and it continued developing on
another island: Manhattan.

The Oklahoma Cowboy Band

9780738552453

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The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGinty's Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Bill's Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as "the Uke Buster." Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the band's cowboy themes and songs, and Otto Gray's lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.

Pittsburgh Jazz

9780738549804

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Pittsburgh Jazz documents the almost forgotten magic created in the city of Pittsburgh by a host of artists, uptown inner city streets, and jazz joints that served patrons from a menu packed full of delightful music. The magical improvised songs, compositions, and unique styles of hundreds of those who were born, raised, or influenced by what occurred in the smoke filled clubs, bars, restaurants, and theaters is difficult to comprehend. And yet, every jazz artist in the world was attracted here to "stand the test" waiting in the Steel City. This book is committed to connecting Pittsburghstyle jazz as the synthesis that resulted in the art form called bebop. This photographic presentation was captured by Pittsburgh Courier photographers between the 1930s and 1980s.

Charleston Jazz

9780738543505

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Charleston Jazz sets out to reveal the rich, untold story of the evolution of American jazz in one of its major cradles: Charleston, South Carolina. The text and images show that what happened on the Gullah coast of South Carolina in terms of history, culture, and entertainment had a huge impact on jazz as we know it today. By all accounts, jazz is America's classical music. It now stands at the dawn of its second century and is poised to take its place as one of the more meaningful cultural phenomena ever to come along. Since Charleston was the gateway for enslaved Africans into the United States, it is no wonder that this uniquely beautiful place produced key creators of what many believe to be this country's most important influence on world culture. An international Charleston diaspora of jazz musicians attests to the fact that the likes of Freddie Green, William "Cat" Anderson, and Edmund Thornton Jenkins spread the Charleston style everywhere. Charleston jazz is one of the last great unknown stories in American history.