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The Chicago World's Fair lifted a city, state, and nation and helped visualize a lift post-Great Depression. Revisit the Fair in this visual history!

It took six years and cost $100 million, but on May 27, 1933, the gates swung open on the biggest birthday party the city of Chicago had ever seen. The Century of Progress Exposition, better known as the 1933-34 Chicago World's Fair, commemorated the amazing progress that had been made since the founding of the city just 100 years earlier.

Many of America's largest companies joined with countries from around the world to showcase their histories and advertise their newest products. The road to opening day was not an easy one, with the Great Depression making it look like the fair might never be built, but thousands of small investors stepped forward to help close the financial gap. The fair went on to an unprecedented second season, and when the gates finally closed after the last of the 39 million visitors went home, it had achieved something quite rare among world's fairs: earning a profit.

This collection of rare photographs, previously unpublished, highlights the major attractions of the fair and the astonishing changes made between seasons. This book is a must-have for fans of Chicago, Illinois, and Great Depression-era history.

Chicago singularly honored nurses, our "Angels of Mercy," for a decade (1949-1958). Father Clarence M. Brissette O.S.M., director of the Sorrowful Mother Novena, originated both Chicago's "Nurses Day" and Chicago's Nurse Parade in 1949. The purpose of the parade was twofold: to give the nurses a "day of glory" and to also encourage others to join this undermanned, noble, and caring profession. The first Chicago Nurse Parade (1949) had two floats, four bands, and included many nurses marching in capes. The 10-year anniversary parade (1958) had 4,000 marching uniformed nurses, over 30 bands, and over 100 decorated floats representing nearly all Chicagoland hospitals and schools of nursing. In 1958, over 100,000 spectators lined Jackson Boulevard to honor nurses in what would be the final parade.

One of the grand annual events in Chicago's history is the spectacular Christmas Parade on State Street. Filled with pageantry, these parades showcase amazing floats and displays, often featuring local VIPs along with Hollywood stars. In this companion to Christmas on State Street: The 1940s and Beyond, Robert P. Ledermann continues his celebration of Christmas in Chicago. Over 200 photographs, including 16 pages of full color, lead you on a wonderful trip down memory lane; you will also share the recollections of many famous personalities who participated in the parade. Crowds viewed the famous windows at Marshall Field's and Carson's while awaiting the parade; complete sets of those windows are featured here. Finally, Chicago can be cold in the winter, so to warm up we'll stop in at Miller's Pub and the Berghoff Restaurant.

The first Lake Forest Day in 1908 included a hot air balloon ascension, a cutest baby contest, a mind-reading dog, and a vaudeville show. Proceeds from this event, organized by the Lake Forest Woman's Club, funded the Contagious Hospital, which eventually merged into Lake Forest Hospital. American Legion Post 264 took over in 1921 and has maintained this extraordinary tradition ever since. This annual celebration has changed over the years to reflect local interests, national events, and even cultural shifts. With the advent of World War II, the themes became patriotic, such as "Home Defense," "Prelude to Victory," and "On to Tokyo." Lake Forest Day, held on the first Wednesday of August, continues to inspire civic pride. This book represents a fascinating look at Lake Forest in 1908 and the century thereafter, as parades, carnivals, and contests energized community spirit.

Since 1959, Santa's Village in Dundee has entertained millions. The park was born of a man who as a child had no real Christmas. Glenn Holland grew up in California during the Great Depression. His parents died by the time he was 18 years old, leaving him to care for his younger sister. As a father, he tried to give his own children the type of Christmas that he only knew in his dreams. In the early 1950s, struck with inspiration, Holland sat at his kitchen table one day and started to sketch his idea for a Christmas fairyland where all the magic of the holiday would come to life: Santa's Village. Holland and general contractor Putnam Henck built
three Santa's Villages, two in California and one in Dundee.

Chicago's North Michigan Avenue, known as The Magnificent Mile®, has a long and rich tradition of celebrating the holiday season in grand style. Today the illumination of this world-famous avenue with more than one million white lights is considered by many the official start of the holiday season. The Magnificent Mile Lights Festival® draws some one million visitors each November. Millions more watch the televised broadcast. The development of North Michigan Avenue, known in its humble early days as Pine Street, and the creation of its holiday and tree-lighting traditions are largely attributed to a dedicated group of entrepreneurs and business leaders, known as the Greater North Michigan Avenue Association. Over the years, this line of visionary Chicagoans recognized the avenue's potential and committed to making North Michigan Avenue a world-class street with world-class holiday traditions. The North Michigan Avenue district now features 56 hotels, 275 restaurants, 460 retail locations, and numerous educational, cultural, and health care institutions--and more than 18 million visitors annually. It is one of the great avenues of the world, offering one of the most iconic holiday images when it is aglow.

The Mississippi River Festival began as a partnership promoting regional cooperation in the realm of the performing arts, since expanding into a festival of legendary status.

In 1969, Southern Illinois University Edwardsville initiated a remarkable performing arts series called the Mississippi River Festival. Over 12 summer seasons, between 1969 and 1980, the festival presented 353 events showcasing performers in a variety of musical genres, including classical, chamber, vocal, ragtime, blues, folk, bluegrass, barbershop, country, and rock, as well as dance and theater. During those years, more than one million visitors flocked to the spacious Gyo Obata-designed campus in the countryside near St. Louis. The Mississippi River Festival began as a partnership promoting regional cooperation in the realm of the performing arts. Southern Illinois University Edwardsville invited the St. Louis Symphony to establish residence on campus and to offer a summer season. To host the symphony, the university created an outdoor concert venue within a natural amphitheater by installing a large circus tent, a stage and acoustic shell, and a sophisticated sound system. To appeal to the widest possible audience, the university included contemporary popular musicians in the series. The audacity of the undertaking, the charm of the venue, the popularity of the artists, the excellence of the performances, and the nostalgic memory of warm summer evenings have combined to endow the festival with legendary status among those who attended.