The Jamboree in Wheeling

The Jamboree in Wheeling

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Publication Date: 2nd November 2020

Beginning in the mid-1920s, radio stations that catered to rural audiences sponsored programs featuring country music, generically termed "barn dances." Ranking second in terms of longevity and perhaps in significance to the Grand Ole Opry from WSM Nashville came the Jamboree in Wheeling, West Virginia. It became the springboard for such country stars as Wilma Lee and Stoney Cooper, Hawkshaw Hawkins, the Osborne Brothers, Doc and Chickie Williams, Lee Moore, Big Slim the Lone Cowboy, and most recently, Brad Paisley. Under slightly varying names, the Jamboree flourished from 1933 through 2005 o... Read More
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Beginning in the mid-1920s, radio stations that catered to rural audiences sponsored programs featuring country music, generically termed "barn dances." Ranking second in terms of longevity and perhaps in significance to the Grand Ole Opry from WSM Nashville came the Jamboree in Wheeling, West Virginia. It became the springboard for such country stars as Wilma Lee and Stoney Cooper, Hawkshaw Hawkins, the Osborne Brothers, Doc and Chickie Williams, Lee Moore, Big Slim the Lone Cowboy, and most recently, Brad Paisley. Under slightly varying names, the Jamboree flourished from 1933 through 2005 o... Read More
Description
Beginning in the mid-1920s, radio stations that catered to rural audiences sponsored programs featuring country music, generically termed "barn dances." Ranking second in terms of longevity and perhaps in significance to the Grand Ole Opry from WSM Nashville came the Jamboree in Wheeling, West Virginia. It became the springboard for such country stars as Wilma Lee and Stoney Cooper, Hawkshaw Hawkins, the Osborne Brothers, Doc and Chickie Williams, Lee Moore, Big Slim the Lone Cowboy, and most recently, Brad Paisley. Under slightly varying names, the Jamboree flourished from 1933 through 2005 over the airwaves of 50,000-watt WWVA 1170 AM and now airs on WWOV 101.1 FM.
Details
  • Pages: 128
  • Publisher: Arcadia Publishing
  • Imprint: Arcadia Publishing
  • Series: Images of America
  • Publication Date: 2nd November 2020
  • State: West Virginia
  • Illustration Note: Black and White
  • ISBN: 9781467105682
  • Format: Paperback
  • BISACs:
    MUSIC / Genres & Styles / Country & Bluegrass
    PERFORMING ARTS / Radio / General
    HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV)
Author Bio
Jacob L. Bapst is a 1975 graduate of Rio Grande College and retired from Rio Grande Community College. Ivan M. Tribe is professor emeritus of history at the University of Rio Grande. The images in this book were obtained from the Jean Lloyd Cooper Archives at the University of Rio Grande.
Beginning in the mid-1920s, radio stations that catered to rural audiences sponsored programs featuring country music, generically termed "barn dances." Ranking second in terms of longevity and perhaps in significance to the Grand Ole Opry from WSM Nashville came the Jamboree in Wheeling, West Virginia. It became the springboard for such country stars as Wilma Lee and Stoney Cooper, Hawkshaw Hawkins, the Osborne Brothers, Doc and Chickie Williams, Lee Moore, Big Slim the Lone Cowboy, and most recently, Brad Paisley. Under slightly varying names, the Jamboree flourished from 1933 through 2005 over the airwaves of 50,000-watt WWVA 1170 AM and now airs on WWOV 101.1 FM.
  • Pages: 128
  • Publisher: Arcadia Publishing
  • Imprint: Arcadia Publishing
  • Series: Images of America
  • Publication Date: 2nd November 2020
  • State: West Virginia
  • Illustrations Note: Black and White
  • ISBN: 9781467105682
  • Format: Paperback
  • BISACs:
    MUSIC / Genres & Styles / Country & Bluegrass
    PERFORMING ARTS / Radio / General
    HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV)
Jacob L. Bapst is a 1975 graduate of Rio Grande College and retired from Rio Grande Community College. Ivan M. Tribe is professor emeritus of history at the University of Rio Grande. The images in this book were obtained from the Jean Lloyd Cooper Archives at the University of Rio Grande.