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It has been the intention of the writer to present a brief history of the Baltimore and Ohio Railroad from its inception in 1826 until its completion to Wheeling in January, 1853. The monograph has been designed as a study in the economics of transportation, and stress has been laid upon the influence of the railroad in the development of the industryand commerce of the city of Baltimore, and of the agricultural, mineral and manufacturing resources of the state of Maryland. The Baltimore and Ohio having been the first great through-route railroad projected in America, has naturally an important place in the regard of the student of transportation. The beginnings of some of the present difficult railroad problems appear in the history of this road, and these have not only been treated incidentally as they appeared in connection with the legislative, financial and mechanical history of the railroad, but have been summarized in the final chapter.

You remember that at Paris but three of the buildings were open in the evening. Here every one of the great halls is open and aglow with light. In all but the Fine Arts, the Administration, and the Woman's Building arc lights are employed. In Machinery Hall there are six hundred; in Agricultural Hall, six hundred; in the Electric Building, four hundred; in the Mines and Mining Building, four hundred; in the Transportation Building, four hundred and fifty; in Horticultural Hall, four hundred; in the Forestry Building, one hundred and fifty; and in the Great Palace of the Liberal Arts, two thousand. Twelve thousand incandescent lamps light the Fine Arts Building; ten thousand more are ablaze in the Administration Building; and in the Woman's Building there are one hundred and eighty arc lights and twenty-seven hundred incandescent lamps. When at length you approach the Grand Avenue the scene becomes more and more beautiful. Every window and archway of the great edifices here are sending out broad columns of light, illuminated fountains are throwing aloft their brilliant-hued waters, groups of white statuary stand out in bold and striking outline against the black shadows, and the golden ornaments of the entrances to the several mammoth piles facing the Grand Canal flash and glitter in the flood of dazzling effulgence.