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Name: Tacoma's Theater District
Brand: Kimberly M. Davenport
SKU: 9781467134026
Price: 17.49 USD
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Tacoma's Theater District

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The Chicago Music Scene

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Kentucky's Bluegrass Music

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Theatres of Hawai'i

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Boston's Downtown Movie Palaces

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Walnut Street Theatre

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Columbus

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Lakewood Theatre

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Oklahoma City

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Oklahoma City Music

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Casper's Troopers Drum & Bugle Corps

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Music in Washington

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Birmingham's Theater and Retail District

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South Carolina Blues

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Theatres of Oakland

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Seattle's Music Venues

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Movie Theaters of Washington, DC

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Music Makers of the Blue Ridge Plateau

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Greater Boston Community Theater

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Beloit's Club Pop House

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Kearney's World Theatre

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The Music Hall, Portsmouth

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The Oklahoma Cowboy Band

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Charleston Jazz

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Tacoma's Theater District

9781467134026

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The history of Tacoma's Theater District is nearly as long as that of the city of Tacoma itself, spanning from the opening of the Tacoma Theater in 1890 to the present day, with restored historical facilities anchoring a renewed cultural district. This telling of the district's history reflects a range of engaging topics, including the boundless enthusiasm of the initial residents of Tacoma (the "City of Destiny"), the changing ways in which culture was shared and experienced over the decades of the 20th century, and a community working together through difficult times to save and restore historical buildings as gathering spaces for the benefit of future generations. The story is told through historical photographs of the theater venues themselves, as well as images capturing a myriad of cultural and community events taking place in those facilities and in the surrounding district.

The Chicago Music Scene

9780738577296

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This is the story of Chicago's vibrant music scene in the 1960s and 1970s.

The 1960s and 1970s was a time when jazz, rock and roll, country and western, folk, blues, and R & B flowed through the streets of Chicagoland. Much has been written about the national and international talent of that time, but not enough has been written regarding local music scenes. This story focuses on the city of Chicago (along with its suburban club scene) and the homegrown performers who made the 1960s and 1970s one of the most electrifying and memorable periods in music history. Some of those players went all the way to the big time, while others made their mark and disappeared. But they all made a difference in their own way, and for those who were there, it is a time they will never forget.

Kentucky's Bluegrass Music

9780738585611

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It is likely that most fans of bluegrass music would concede that no state should be more associated with bluegrass music than Kentucky--and rightly so. Bluegrass music draws its name from the band that Kentuckian Bill Monroe formed during the late 1930s and 1940s. Bill named his band Bill Monroe and The Blue Grass Boys to honor his home state. Eventually, the music these bands and others like them were playing came to be known as bluegrass music. Later, another Kentuckian, Ebo Walker, while playing with the Bowling Green-based bluegrass band, New Grass Revival, coined the phrase "newgrass" to describe the band's progressive style of music. Other Kentuckians such as Bobby and Sonny Osborne, J. D. Crowe, Ricky Skaggs, and Dale Ann Bradley have become bluegrass stars. Some of the musicians from Kentucky covered in this book are quite famous--some are not. Famous or not, all of them have a deep-rooted passion for the music they play.

Theatres of Hawai'i

9780738581606

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Famous for its lush beauty and inviting beaches, Hawai'i also boasts a rich theatrical history dating back to the mid-19th century and spanning its years as a kingdom, U.S. territory, and a state. Its warm, tropical climate and social, cultural, and ethnic diversity contributed to the variety of theatres unique to the islands--from simple, rural plantation theatres on the neighbor islands, to neighborhood movie houses in exotic styles, to an incomparable tropical moderne jewel near the beach at Waikiki. Most of these theatres are now just a memory, except for those few saved by dedicated individuals and restored for another life. This book celebrates the rich history of these theatrical venues through rare archival photographs and little-known details.

Boston's Downtown Movie Palaces

9780738576312

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Since the late 1800s, Boston has been a trendsetter in the development of the movie business. It was here that many of the earliest public showings of moving images took place and the name nickelodeon first appeared on a storefront theater. In 1896, B.F. Keith added film to his Washington Street theater, then throughout his national chain of vaudeville houses. In 1914, Boston's Modern became the country's first theater with an installed sound projection system. Several years later, the city had its first movie palace: Marcus Loew's Orpheum. A magnet for theater architects, Boston became a center for elegant movie houses, including the Metropolitan, Keith Memorial, and Paramount. Thanks to civic leaders and academic institutions, many of Boston's theaters have been preserved and restored and are alive and well today.

Walnut Street Theatre

9780738557700

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The Walnut Street Theatre, located at the corner of Ninth and Walnut Streets, is America's oldest theater, a national historic landmark, and the state theater of Pennsylvania. Since its opening in 1809, world-famous stars, such as Henry Fonda, Katharine Hepburn, and Marlon Brando, have performed on its stage. Many of the greatest works in American theater premiered there, including A Streetcar Named Desire, A Raisin in the Sun, and Neil Simon's first Broadway play, Come Blow Your Horn. In 1982, under the direction of Bernard Havard, the Walnut became a not-for-profit producing theater company. Today, with over 56,000 subscribers annually, it is the most subscribed theater company in the world. Through vintage images from the theater's archives and the Free Library of Philadelphia's Theatre Collection, Walnut Street Theatre rediscovers the Walnut's rich past.

Columbus

9780738561530

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Columbus has long been known for its musicians. Unlike New York, San Francisco, Kansas City, Nashville, or even Cincinnati, however, it has never had a definable scene. Still, some truly remarkable music has been made in this musical crossroads by the many outstanding musicians who have called it home. Since 1900, Columbus has grown from the 28th- to the 15th-largest city in the United States. During this period, it has developed into a musically vibrant community that has nurtured the talents of such artists as Elsie Janis, Ted Lewis, Nancy Wilson, Rahsaan Roland Kirk, Dwight Yoakam, Bow Wow, and Rascal Flatts. But, in many instances, those who chose to remain at home were as good and, perhaps, even better.

Lakewood Theatre

9781467125949

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Beginning as a humble vaudeville hall in the Skowhegan-Madison trolley park, Lakewood Theatre has graced the southwestern shore of Lake Wesserunsett in Madison, Maine, since the turn of the 20th century. Under the masterful guidance of Herbert L. Swett, a Bangor native and Bowdoin graduate, Lakewood eventually developed into a nationally renowned playhouse that was called the "Broadway in Maine" by the New York Times in its heyday, from 1925 until World War II. In the years following the war, Lakewood was operated by Swett's heirs and became a virtual who's who of both Broadway and Hollywood, until it nearly went dark in the early 1980s. Operating today as a nonprofit community theater, Lakewood is the official state theater of Maine and the oldest continually running summer theater in the country.

Oklahoma City

9780738583815

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Located in downtown Oklahoma City, Film Row once flourished as a sales hub for theater owners needing films, posters, and concessions for their Midwest venues. The film exchange offices along this three-square-block area and across the cityscape housed major film production studios like Paramount Pictures, MGM, Universal, Fox, and Warner Brothers from 1907 until the 1980s. But changes in demographics, economy, and technology nearly wiped their memory from the city landscape. Now these decades-old structures and their nearly forgotten history are being rediscovered and utilized once again for business. This book tells their story through rare images discovered in shoeboxes, back rooms, and the Oklahoma Historical Society's archives. Most of the images within these pages are shared here for the very first time.

Oklahoma City Music

9780738584270

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Oklahoma City's rich music history traces back to Deep Deuce, the heart of the African American community that became an important resource for national jazz and blues bands seeking talented musicians who were often classically trained. Two icons and many legends are among the famous sons and daughters who lived in this cultural Mecca. Oklahoma City's Music: Deep Deuce and Beyond details the birth and growth of music in Oklahoma City's African American community from the 1920s until the late 1990s. Musical influences of families and individuals, venues, dance, and fashion blend with new-era traditions such as parades, jam sessions, and street parties to create a culture that became well known. This book explores how the seeds of music so deeply planted in the early days continue to produce great musicians and how the influences of those icons will vibrate throughout future international generations.

Casper's Troopers Drum & Bugle Corps

9781467129084

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The Troopers Drum & Bugle Corps was founded in Casper, Wyoming, in November 1957. It was the dream of one man, Jim Jones. He believed that any kid who wanted to march with the Troopers should be afforded the chance. In 10 years, Jones took kids from Casper who had never marched before and turned them into national champions. The Troopers have played for celebrities and presidents, performed at football games and Disneyland, and marched in parades from California to New York. Drum and bugle corps have changed dramatically in the last 60 years, and the Troopers have as well. Today, the Troopers are an elite group of young people from across the country and all over the world, and they compete in Drum Corps International's World Class division.

Music in Washington

9780738548180

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For more than 100 years, the Pacific Northwest has been making music history. In this new retrospective, rare photographs evoke the musical memories of days gone by, from the earliest 19th-century brass bands to Roaring Twenties jazz combos, 1940s hillbilly twangers, 1950s rhythm-and-blues singers, and generations of rock 'n' rollers, including the original 1950s rockabillies, 1960s "Louie Louie"-era garage bands and psychedelic acid-rock acts, 1970s punks, and 1980s new-wave artistes and heavy metal headbangers. Readers will discover how a scrappy backwoods region struggled to build the necessary infrastructure to eventually create a viable music industry and an underground scene that would ultimately earn global recognition as the home base of the 1990s grunge movement.

Birmingham's Theater and Retail District

9780738517773

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From the 1890s to the 1970s, the thriving area of Birmingham between Eighteenth and Twenty-first Streets along First, Second, and Third Avenues was the bustling heart of this quickly growing city. Before the age of the shopping mall, the downtown was the center of retail and entertainment in Birmingham. Along these streets, entrepreneurial immigrants built department stores--including Pizitz and Loveman, Joseph, and Loeb--while the marquees of the Alabama, Ritz, and Lyric theaters, among others, shined over the busy downtown sidewalks.

South Carolina Blues

9781467114721

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The history of South Carolina blues is a long, deep--and sometimes painful--story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.

Theatres of Oakland

9780738546810

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Oakland has a rich theatre history, from the amusements of a gas-lit downtown light opera and vaudeville stage in the 1870s to the ornate cinematic escape portals of the Great Depression. Dozens of neighborhood theatres, once the site of family outings and first dates, remain cherished memories in the lives of Oaklanders. The city can still boast three fabulous movie palaces from the golden age of cinema: the incomparable art deco Paramount, which now offers live performances and films; the stately Grand Lake gracing the sinuous shores of Lake Merritt; and the magnificently eccentric Fox Oakland, with its imposing Hindu gods flanking the stage. The Paramount and Grand Lake still stir the heartstrings of patrons with showings preceded by interludes on their mighty Wurlitzer organs.

Seattle's Music Venues

9780738599984

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The varieties of music venues in Seattle have been as vital and vibrant for the people of the Emerald City as the genres that have graced these famous halls. These houses of music have nurtured the entertainment legacy of this region. Each holds a beautiful, haunting, and unique history that has helped shape the Pacific Northwest's musical culture, which, in turn, has helped shape our community. Out of the ashes of the Great Seattle Fire of 1889, the vaudeville age took Seattle by storm. The cultural and community centers harmonized with operas and symphonies. From the 1962 World's Fair to world-famous street musicians, Seattle's Music Venues will take the reader on a pictorial journey through 100 years of images compiled from the photographic collections of the Seattle Public Library, Seattle Municipal Archives, Library of Congress, and the author's personal collection.

Movie Theaters of Washington, DC

9781467129480

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Movie Theaters of Washington, DC charts the storied history of motion picture exhibition in the nation's capital. In 1894, entertainment venues were repurposed to show newfangled moving images and continued to do so through the downtown heyday of such 1920s baroque movie palaces as the 3,400-seat Fox. In the late 20th century, shoebox theaters dotted the nearby suburbs. In a landscape that has transformed over the decades, majestic landmarks, such as the Uptown, which opened in 1936, remain and are still going strong, and theaters like the Warner survived the dark days of downtown's commercial decline to be repurposed as thriving stage venues. While certain favorites have fallen to the wrecking ball, the Washington area has seen, along with a rejuvenated downtown, a vibrant movie scene for both mainstream blockbusters and art house fare with the Regal Gallery Place multiplex and more new theaters to come.

Music Makers of the Blue Ridge Plateau

9780738554105

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During the late 1920s, Ralph Peer and the Victor Recording Company visited the city of Bristol to look for new talent. They stumbled upon Jimmie Rodgers and the Carter Family, two future legends of country music; however, other amazing musicians were unable to make the trip to Bristol for the auditions because of work and family obligations. For the locals, music was more than a way to earn fame and fortune; the music was part of the fabric of life in this rural environment. Some individuals did become famous, including the Stoneman Family, who recorded "The Ship That Didn't Return/ The Titanic," and Henry Whitter, who recorded "The Wreck of Old 97," but that was never the focus. The songs they played and created accompanied an entire generation through the Great Depression and World War II and into the vigorous growth of the 1950s and 1960s. All of these musicians influenced the birth, growth, and continued development of the Galax Fiddlers Convention, which is known around the world by old-time mountain music fans.

Beloit's Club Pop House

9780738552095

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For baby boomers who grew up in and around Beloit, memories of that era would not be complete without the Pop House. To high school students, this teen nightclub was a weekend music mecca. Friday and Saturday nights were reserved for dancing and listening to live music provided by countless bands and solo acts. Owner George Stankewitz, born and raised in Beloit, became friend, father figure, and even boss to hundreds of area teenagers. From swing to pop to rock, notable acts to take the stage at the Pop House between 1946 and 1973 include such jukebox staples as Bobby Vinton, Johnny Tillotson, and Del Shannon, along with a tidal wave of Beatles-inspired local favorites. Summer softball leagues and championship basketball teams are recalled as well as the annual Turkey Bowl that continues to this day. And who can forget the annual chili festival with the crowning of a chili queen or a menu famous for its specialty sandwiches like the Snead and the Smiley?

Kearney's World Theatre

9780738583259

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The World Theatre in Kearney, Nebraska, opened in 1927 and was welcomed by an excited public. Much more than just a movie house, it soon proved to be a social center, where people of all professions, ages, and income levels would frequently gather, because it was modern and new and there were considered few equally attractive alternatives. Some went because it was a sanctuary or where they earned a living, while others nurtured the seeds of attachments there or sought out temporary distractions such as bits of humor, drama, mystery, or adventure. For still more, it was an important venue for staying informed or even escaping the heat of the day. Slowly over time, the entertainment and economic landscapes in the country changed, affecting The World's profitability as well as others like it.

The Music Hall, Portsmouth

9780738512495

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On Christmas Eve 1876, Portsmouth citizens watched flames reduce their largest meetinghouse and entertainment hall to ashes. During the following year, local families, businessmen, and craftsmen combined their resources to build a new auditorium with state-of-the-art lighting, rigging, staging, and seating-a comfortable venue for public addresses, charity functions, and international entertainment. The Music Hall, Portsmouth, was born.

Twain spoke from her stage, Sousa's brass echoed from her walls, and Edison's films brought her silver screen to life. Enduring war, depression, and multiple threats of destruction, this grand hall today stands as New Hampshire's oldest operating theater. Showcasing the world's finest stage and screen talent, offering artistic education to young and old, and hosting fundraisers and private events, the Music Hall is a testament to the necessity of arts in local culture and the strength of a community's resolve.

The Oklahoma Cowboy Band

9780738552453

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The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGinty's Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Bill's Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as "the Uke Buster." Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the band's cowboy themes and songs, and Otto Gray's lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.

Charleston Jazz

9780738543505

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Charleston Jazz sets out to reveal the rich, untold story of the evolution of American jazz in one of its major cradles: Charleston, South Carolina. The text and images show that what happened on the Gullah coast of South Carolina in terms of history, culture, and entertainment had a huge impact on jazz as we know it today. By all accounts, jazz is America's classical music. It now stands at the dawn of its second century and is poised to take its place as one of the more meaningful cultural phenomena ever to come along. Since Charleston was the gateway for enslaved Africans into the United States, it is no wonder that this uniquely beautiful place produced key creators of what many believe to be this country's most important influence on world culture. An international Charleston diaspora of jazz musicians attests to the fact that the likes of Freddie Green, William "Cat" Anderson, and Edmund Thornton Jenkins spread the Charleston style everywhere. Charleston jazz is one of the last great unknown stories in American history.