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The history of South Carolina blues is a long, deep--and sometimes painful--story. However, it is a narrative with aspects as compelling as the music itself. Geographical differences in America led to variations in the styles of music that developed from African rhythms. The wet, marshy landscape and hot, muggy weather of the Carolina Lowcountry combined to cultivate not only rice, but a Gullah-based style of South Carolina blues. In drier climates, toward the Midlands and the Upstate, the combination of European influences led to the emergence of Piedmont blues, which in turn spawned country music as well as bluegrass. Those same Gullah roots resulted in four major dance crazes, starting with the Charleston.

Just as the dances of Beach Music have their twists and turns, so too do the stories behind the hits made popular in shag haunts from Atlantic Beach to Ocean Drive and the Myrtle Beach Pavilion. In Carolina Beach Music, local author and Beach Music enthusiast Rick Simmons draws on first-hand accounts from the legendary performers and people behind the music. Simmons reveals the true meaning behind "Oogum Boogum," uncovers just what sparked a fistfight between Ernie K. Doe and Benny Spellman at the recording session of "Te-Ta-Te-Te-Ta-Ta," and examines hundreds of other true events that shaped the sounds of Beach Music.

Charleston Jazz sets out to reveal the rich, untold story of the evolution of American jazz in one of its major cradles: Charleston, South Carolina. The text and images show that what happened on the Gullah coast of South Carolina in terms of history, culture, and entertainment had a huge impact on jazz as we know it today. By all accounts, jazz is America's classical music. It now stands at the dawn of its second century and is poised to take its place as one of the more meaningful cultural phenomena ever to come along. Since Charleston was the gateway for enslaved Africans into the United States, it is no wonder that this uniquely beautiful place produced key creators of what many believe to be this country's most important influence on world culture. An international Charleston diaspora of jazz musicians attests to the fact that the likes of Freddie Green, William "Cat" Anderson, and Edmund Thornton Jenkins spread the Charleston style everywhere. Charleston jazz is one of the last great unknown stories in American history.